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MDnD Entertainment Private Limited

UNMECHANICAL RITWIK GHATAK IN 50 FRAGMENTS

UNMECHANICAL RITWIK GHATAK IN 50 FRAGMENTS

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About the Book                                                                                               
FIFTY  ESSAYS  ON  ONE  OF  INDIA'S  MOST  CONSEQUENTIAL  AND  CONTROVERSIAL FILM-MAKERS—A  MAN  UNDERAPPRECIATED  IN  HIS  TIME  AND  UNDERSTUDIED  AT HOME.
Who said
,ou cannot Zound floZing Zater? Here the riuer itself Zas the Zeapon to break a big home.
– Jayant Kaikini
Ritwik  Ghatak  died  a  broken,  ravaged  man.  Almost  every  film  he  made  failed  at  the  box office at the time—if they were released at all—and his life and family were in a shambles, his partitioned Bengal was no closer to healing, no rapprochement with the left parties was in sight. But Safdar Hashmi describes the day he died, 6 February 1976, thus: hundreds of people  thronged  the  hospital  he  lay  in,  and  as  the  funeral  procession  began  in  the afternoon, thousands joined in, singing all the way to the burning ghat.
If  he  wasn't  feted  in  his  time,  Ghatak's  relevance  has  only  grown  globally  since:  the  bold innovations  of  his  humanist  cinema,  the  depth  of  his  engagement  with  the  lives  of  the people  and  his  uncompromising  vision  for  true  revolution  steeped  in  the  history  and culture of the land. And all the while, the mystique that had always surrounded him only swirled more fiercely.
Unflinching  and  even  ruthless,  alcoholic  and  irresponsible,  an  irrepressible  genius,  a master  of  the  craft  of  film-making  and  a  relentless  innovator:  these  fifty  essays—by  his collaborators and family, academics who study him and writers who admire him—celebrate Ghatak on his centenary through reflections and expressions of love
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